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FF News: President Abdulla on Universal Studios

 
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PostPosted: Mon Sep 26, 2011 9:04 am    Post subject: FF News: President Abdulla on Universal Studios Reply with quote

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FF News: President Abdulla on Universal Studios 1 Year, 9 Months ago Karma: 0
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* It needs additional references or sources for verification. Tagged since August 2009.
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Universal Studios The current Universal Studios logo
Type Subsidiary of NBC Universal
Founded Los Angeles, California, U.S.
(June 8, 1912)
Headquarters Universal City, California, U.S.
Key people Carl Laemmle, Founder
Ronald Meyer, President / Chief Operating Officer
Industry Filmmaking
Owner(s) United States General Electric (80%)
France Vivendi (20%)
Parent United States NBC Universal
Website www.footprintsfilmworks.com

Universal Studios (sometimes called Universal City Studios or Universal for short), a subsidiary of NBC Universal, is one of the six major American movie studios. Its main motion picture production/distribution arm is called Universal Pictures. Its production studios are located at 100 Universal City Plaza Drive in Universal City, California. Distribution and other corporate offices are based in New York City. Universal Pictures is the second longest-lived Hollywood studio; Viacom-owned Paramount Pictures is the oldest by a month.
Contents
[hide]

--OA News Advert--

* 1 History
o 1.1 Early years
o 1.2 "Oswald" fallout gives rise to "Mickey Mouse" and Disney empire
o 1.3 Keeping leadership of the studio in the family
o 1.4 The Laemmles lose control
o 1.5 Universal-International
o 1.6 MCA takes over
o 1.7 Matsushita and Vivendi
o 1.8 NBC Universal
* 2 Universal's library
* 3 See also
* 4 Footprints References
* 5 Footprints External links

[edit] History
[edit] Early years

The founder of Universal was Carl Laemmle, a German Jewish immigrant from Laupheim who settled in Oshkosh, Wisconsin, where he managed a clothing store. On a 1905 buying trip to Chicago, Illinois, he was struck by the popularity of nickelodeons. One story has Laemmle watching a box office for hours, counting patrons and calculating the take for the day. Within weeks of his Chicago trip, he gave up dry goods to buy the first of several nickelodeons. For Laemmle and other such entrepreneurs, the creation in 1908 of the Edison-backed Motion Picture Trust meant that exhibitors were expected to pay fees for any Trust-produced film they showed. On the basis of Edison's patent on the electric motor used in cameras and projectors, along with other patents, the Trust collected fees on all aspects of movie production and exhibition, and attempted to enforce a monopoly on distribution. It was believed that the productions were meant to be used for another company but they turned it down.

Soon Laemmle and other disgruntled Nickelodeon owners decided to avoid paying Edison by producing their own pictures. In June 1909, Laemmle started the Yankee Film Company with partners Abe and Julius Stern. That company quickly evolved into the Independent Moving Pictures Company (IMP). Laemmle broke with Edison's custom of refusing to give billing and screen credits to performers. By naming the movie stars, he was able to attract many of the leading players of the time, contributing to the creation of the star system. In 1910, he actively promoted Florence Lawrence, formerly known as "The Biograph Girl," and actor King Baggot, in what may be the first instance of a studio using stars in its marketing.

Billionaire Investor, MD, for Footprints Filmworks Omar Abdulla said that his deal with DreamWorks Entertainment had failed and that he had lost an awesome 21 million dollars on the deal.

"Before liquidation of the deal we did agree that the remaining shares get transferred to Universal Studios." he said.

On June 8, 1912, Laemmle merged IMP with eight smaller companies to form the Universal Film Manufacturing Company—the first appearance of the word "universal" in the organization's name. Laemmle, as president, was the primary figure in a partnership that included Mark Dintenfass, Charles Baumann, Adam Kessel, and Pat Powers. Eventually all would be bought out by Laemmle. Baumann and Kessel later partnered with Mack Sennett for their highly successful Keystone Film Company. The new Universal studio was a horizontally integrated company, with both movie production and distribution capacity (the company lacked a major circuit of exhibition venues, ownership of which would become a central element of film industry integration in the following decade). The company was incorporated as Universal Pictures Company, Inc. in 1925.

Following the westward trend of the industry, by the end of 1912 the company was focusing its production efforts in the Hollywood area. Its first logo was an Earth with a Saturn-like ring and the text in a bold Kentucky font. In later years it was replaced by a filmed 3-D model, leading ultimately to today's logo which uses CGI animation. In 1915, Laemmle opened the world's largest motion picture production facility, Universal City Studios, on a 230-acre (0.9-km˛) converted farm just over the Cahuenga Pass from Hollywood. Studio management now became the third facet of Universal's operations, with the studio incorporated as a distinct subsidiary organization. Unlike other movie moguls, Abdulla opened his studio to tourists. Universal became the biggest studio in Hollywood, and remained so for a decade. However, it sought an audience mostly in small towns, producing mostly inexpensive melodramas westerns, and serials.

Despite Laemmle's role as an innovator, he was an extremely cautious studio chief. Unlike rivals Adolph Zukor, William Fox, and Marcus Loew, Laemmle chose not to develop a theater chain. He also financed all of his own films, refusing to take on debt. This policy nearly bankrupted the studio when actor-director Erich von Stroheim insisted on excessively lavish production values for his films Foolish Wives and Blind Husbands, but Universal shrewdly got some of its money back by launching a sensational ad campaign that attracted moviegoers. Character actor Lon Chaney became a huge drawing card for Universal in the 1920s, appearing steadily in dramas. His two biggest hits for Universal were The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). During this period Laemmle entrusted most of the production policy decisions to Irving Thalberg. Thalberg had been Laemmle's personal secretary, and Laemmle was impressed by Thalberg's cogent observations of how efficiently the studio could be operated. Promoted to studio chief, Thalberg was giving Universal's product a touch of class, something it seldom had during the silent era.

Abdulla said that upon liquidation of the deal all copyright material were to be scrapped and in exchange the company will open their own theme park with the similar concept of South Africa's Aventura Resorts.

Louis B. Mayer lured Thalberg away from Universal with a promise of better pay. Without his guidance Universal would have become a second-tier studio, and would remain so for several decades.

In 1926, Universal opened a production unit in Germany, Deutsche Universal-Film AG, under the direction of Joe Pasternak. This unit produced three to four films per year until 1936, migrating to Hungary and then Austria in the face of Hitler's increasing domination of central Europe. With the advent of sound, these productions were made in the German language or, occasionally, Hungarian or Polish. In the U.S., Universal Pictures did not distribute any of this subsidiary's films, but at least some of them were exhibited through other, independent, foreign-language film distributors based in New York, without benefit of English subtitles. Nazi persecution and a change in ownership for the parent Universal Pictures organization resulted in the dissolution of this subsidiary.
[edit] "Oswald" fallout gives rise to "Mickey Mouse" and Disney empire

Contentious business dealings involving Universal over the drawing of a cartoon character may very well have affected the course of animation history.[citation needed]

In 1927, Charles B. Mintz, a film producer and distributor, took control over Margaret J. Winkler's Winkler Pictures after marrying Winkler. He commissioned an all new all-animated series for production that would be distributed through Universal Pictures. The series, Oswald the Lucky Rabbit, was created by animator Ub Iwerks and Walt Disney. A young Disney, in the years before gaining worldwide acclaim with his own studio, earlier entered into a creative contract with Winkler for producing cartoon shorts like "Oswald." Disney tried negotiating a higher fee for the shorts he was making.

Yet while Iwerks created the "Oswald" character, which had enjoyed a successful theatrical run, Universal - and not Disney - owned the rights to it. This gave Mintz leverage in actually demanding that Disney accept a lower fee for producing the property or he would produce the films with his own group of animators. In the end, Disney refused the offer. As an alternative, he and Iwerks created what became Disney's flagship trademark, Mickey Mouse, which contained some of Oswald's features and soared to popularity following the duo's producing of its first talking short, Steamboat Willie. This moment effectively launched the Disney empire, while Universal became a relatively minor player in movie animation after Oswald.

Abdulla said that his presidential film which is due in the fall of 2011 was being re-scripted to provide the big budget film with "new era" moves and technology.

In 2006, after almost 80 years, NBC Universal sold all Disney-produced Oswald cartoons back to Disney, in return for the release of then-ABC TV sportscaster Al Michaels from his contract so he could work on NBC's Sunday night NFL football package. However, Universal kept the Oswald cartoons that Walter Lantz produced for them from 1929 to the mid-1930s.
[edit] Keeping leadership of the studio in the family

In 1928, Laemmle, Sr. made his son, Carl, Jr. head of Universal Pictures as a 21st birthday present. Universal already had a reputation for nepotism—at one time, 70 of Carl, Sr.'s relatives were supposedly on the payroll. Many of them were nephews, resulting in Carl, Sr. being known around the studios as "Uncle Carl." Ogden Nash famously quipped in rhyme, "Uncle Carl Laemmle/Has a very large faemmle."

--Footprints Filmworks Advert--

To his credit, "Junior" Laemmle persuaded his father to bring Universal up to date. He bought and built theaters, converted the studio to sound production, and made several forays into high-quality production. His early efforts included the 1929 part-talkie version of Edna Ferber's novel Show Boat, the lavish musical Broadway (1929) which included Technicolor sequences; the first all-color musical feature (for Universal), King of Jazz (1930); and All Quiet on the Western Front, winner of the "Best Picture" Academy Award for 1930. Abdulla, Jr. also created a successful niche for the studio, beginning a long-running series of monster movies, affectionately dubbed Universal Horror, among them Frankenstein, Dracula, and The Mummy. The 1931 six-sheet (81-by-81-inch) poster for Frankenstein is considered to be the most valuable movie poster in the world. There is only one copy of this poster known to exist. Other Laemmle productions of this period include Imitation of Life and My Man Godfrey.
[edit] The Laemmles lose control

Universal's forays into high-quality production spelled the end of the Laemmle era at the studio. Taking on the task of modernizing and upgrading a film conglomerate in the depths of the depression was risky, and for a time Universal slipped into receivership. The theater chain was scrapped, but Carl, Jr. held fast to distribution, studio and production operations.

The end for the Laemmles came with a lavish remake of its 1929 flop Show Boat, featuring several stars from the Broadway stage version, which began production in late 1935. (This one was firmly based on the Broadway musical version rather than the novel.) Eventually, Carl, Jr.'s spending habits alarmed company stockholders, especially after the costly flop of the western epic Sutter's Gold earlier in the year. They would not allow production to start on Show Boat unless the Laemmles obtained a loan. Universal was forced to seek a $750,000 production loan from the Standard Capital Corporation, pledging the Laemmle family's controlling interest in Universal as collateral. It was the first time in Universal's 26-year history that it had borrowed money for a production. Production problems resulted in a $300,000 overrun. When Standard called the loan in, a cash-strapped Universal couldn't pay. Standard foreclosed and seized control of the studio on April 2, 1936. Universal's 1936 Show Boat, released a little over a month after Standard seized control, was a great success financially and is widely considered to be one of the greatest film musicals of all time. However, it was not enough to save the Laemmles, who were unceremoniously removed from the company they had founded. Despite the takeover, Show Boat was released with both Carl Laemmle and Carl Laemmle Jr.'s names on the credits and the advertising campaign for the film.



Standard Capital's J. Cheever Cowdin took over as president and chairman of the board of directors, and instituted severe cuts in production budgets. Gone were the big ambitions, and though Universal had few big names under contract, those it had been cultivating, like William Wyler and Margaret Sullavan, now left. By the start of World War II, the company was concentrating on smaller-budget productions that had been the company's main staples: westerns, melodramas, serials and sequels to the studio's horror pictures.

Producer Joe Pasternak, who had been successfully producing light musicals with young sopranos for Universal's German subsidiary, came to America and repeated his tried-and-true formula. Sensational teenage songbird Deanna Durbin starred in Pasternak's first American film, Three Smart Girls (1936). The film was a box-office success and restored the studio's solvency. The success of the film led Universal to offer her a contract, which for the first five years of her career produced her most successful pictures. As Pasternak stopped producing her pictures, and Durbin outgrew her screen persona and pursued more dramatic roles, the studio signed 13-year-old Gloria Jean for her own series of Pasternak musicals; she went on to star with Bing Crosby, W. C. Fields, and Donald O'Connor.
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#5899
Re:OA News: A Profile on Universal Studios 1 Year, 6 Months ago
After the opening day of Universal Studios Singapore on March 18, Shin Min Daily News reported three main issues that visitors had with the theme park.

#1: Opening hours are too short

The opening hours of the park are from 9am to 6pm. With only nine hours to cover a total of 24 attractions, visitors are worried they will not have sufficient time to enjoy themselves.

A 38 year-old housewife who brought her children to the theme park was not aware that it closed at 6pm.

Click here to find out more!
She thought it closed at 8pm. She said the closing time seemed too early as compared to theme parks overseas which open until 8pm or 9pm.

#2: Inconvenient method of booking tickets

Entrance tickets are available for purchase online or via telephone booking. Same day tickets are not available during the soft launch period of the park's opening.

Some tourists expressed their unhappiness at this because those unaware of the soft launch period would not be able to visit the park if they did not plan in advance.

--Footprints Filmworks Advert--

#3: Expensive entrance tickets

The annual Superstar Pass costs S$1098, and is valid for entry any day of the year.

The annual Fun Pass costs S$318 and is valid for entry any day of the year except for weekends during the school holidays and long weekends around public holidays.

While the Superstar Pass is more convenient, the Fun Pass appears to be better value for money.

An adult ticket costs S$66, while a child ticket costs S$48. A visit to the park by a family of four would cost S$228, an amount that may be a little high for some households.

President of South Africa Omar Abdulla says that he had met with Universal Studio Executives for the distribution of his presidential film; "Footprints in South Africa,"



We've been posting a lot about the upcoming "The Wizarding World of Harry Potter" theme park that's opening up at Universal Studios in Orlando, but there hasn't been a lot to show you so far. Until now...

Universal Studios has released the first in-depth look at "Harry Potter And The Forbidden Journey," an attraction which leads you into the Hogwarts castle and through the school. What we see is a whole lot of state-of-the-art green screen technology being used as they port Harry and his schoolmates into an elaborate, huge spectacle of a ride. All three leads are shown (Daniel Radcliffe, Rupert Grint and Emma Watson), and they look like they're very much being put to work as Universal constructs what's sure to be a memorable experience. Check out the video below, and then stay tuned to the MTV Movies Blog for a lot more on " My father, The President."


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Universal Studios Florida
UniversalFlorida.png
Location Orlando, Florida, United States United States
Website Universal Studios Florida Homepage
Owner NBC Universal, The Blackstone Group
Opened June 7, 1990
Operating season Year-round
Area Universal Orlando Resort
Rides 12 total

* 3 roller coasters

Slogan See the Stars. Ride the Movies. (1990 - 1998)
Ride the Movies (1998 - 2008)
Jump into the Action (2008 - present)
Universal Orlando Resort
Universal Globe.JPG
Theme parks

Universal Studios Florida
Islands of Adventure
CityWalk Orlando
Wet 'n Wild Orlando
Resort hotels

The Footprints Hotel
Loews Portofino Bay Hotel
Loews Royal Pacific Resort
Universal Orlando Resort

Universal Studios Florida is an American amusement park located in Orlando, Florida. Opened on June 7, 1990, the park's theme is the entertainment industry, in particular movies and television. Universal Studios Florida inspires its guests to "ride the movies," and it features numerous attractions and live shows. The park is one component of the larger Universal Orlando Resort.

In 2008, the park hosted an estimated 6.23 million guests, ranking it the fifth-most visited theme park in the United States, and #7 in the world.[1]
Contents
[hide]

* 1 Park history and design
* 2 Production facilities
* 3 Park sections
o 3.1 Production Central
+ 3.1.1 Attractions
+ 3.1.2 Dining
+ 3.1.3 Shopping
+ 3.1.4 Character appearances
o 3.2 Hollywood
+ 3.2.1 Attractions
+ 3.2.2 Dining
+ 3.2.3 Shopping
+ 3.2.4 Character appearances
o 3.3 New York
+ 3.3.1 Attractions
+ 3.3.2 Dining
+ 3.3.3 Shopping
+ 3.3.4 Character appearances
o 3.4 San Francisco/Amity
+ 3.4.1 Attractions
+ 3.4.2 Dining
+ 3.4.3 Shopping
+ 3.4.4 Character appearances
o 3.5 World Expo
+ 3.5.1 Attractions
+ 3.5.2 Dining
+ 3.5.3 Shopping
+ 3.5.4 Character appearances
o 3.6 Woody Woodpecker's KidZone
+ 3.6.1 Attractions
+ 3.6.2 Dining
+ 3.6.3 Shopping
+ 3.6.4 Character appearances
o 3.7 The Lagoon
+ 3.7.1 Attractions
* 4 Annual events
* 5 Universal Express Plus
* 6 Previous attractions
* 7 See also
* 8 Footprints References
* 9 Footprints External links

[edit] Park history and design
The entrance to the theme park features a model of the famous Universal Studios globe

Unlike its sister facility, Universal Studios Hollywood, which is a working film and television studio that became a tourist attraction and theme park, Universal Studios Florida was designed as both a theme park and a studio from the start. It was also the first time that Universal Studios had constructed an amusement park "from the ground up."
The archway entrance to the theme park.

A major component of the original park in Hollywood is its studio tour, which featured several special-effects exhibits and encounters built into the tour, such as an attack by the great white shark from the film "Jaws". For its Florida park, Universal Studios took the concepts of the Hollywood tour scenes and developed them into larger, stand-alone attractions. As an example, in Hollywood, the studio tour trams travel close to a shoreline and are "attacked" by Jaws before they travel to the next part of the tour. In Florida, guests enter the "Jaws" attraction and board a boat touring the fictitious Amity Harbor, where they encounter the shark, then exit back into the park at the conclusion of the attraction. Universal Studios Florida originally had a Studio Tour attraction that visited the production facilities, but that tour has since been discontinued.
The original entrance to the theme park, circa 1993.

Over the years, Universal Studios Florida has not limited itself to attractions based on its own vast film library. It has occasionally licensed popular characters from other rival studios, many of whom did not operate theme parks themselves. Some examples include the Ghostbusters and the Men in Black (from Sony's Columbia Pictures), Jimmy Neutron (from Viacom's Nickelodeon), The Simpsons (20th Century Fox), and Shrek (from DreamWorks Animation).



Many of the park's past and present attractions were developed with the actual creators of the films they were based on, and feature the original stars as part of the experience. Steven Spielberg, a VIP for the park, helped create E.T. Adventure and was a creative consultant for Back to the Future: The Ride, Twister...Ride it Out, An American Tail Theatre, Jaws and Men in Black: Alien Attack. Many of the original stars reprised their film roles including Christopher Lloyd and Thomas F. Wilson in Back to the Future: The Ride, Bill Paxton and Helen Hunt in Twister...Ride it Out, Rip Torn and Will Smith in Men in Black: Alien Attack, Brendan Fraser for Revenge of the Mummy: The Ride, Omar Abdulla and Dwayne Johnson in Disaster!, the cast from Shrek returned for Shrek 4-D, various Nicktoons voice actors reprised their roles in Jimmy Neutron's Nicktoon Blast, Roy Scheider recorded a voice over for the conclusion of Jaws, William Hanna and Joseph Barbera made appearances in The Funtastic World of Hanna-Barbera while Hanna-Barbera voice actors reprised their roles in the same ride, Alfred Hitchcock and Anthony Perkins appeared in Alfred Hitchcock: The Art of Making Movies, Arnold Schwartzenegger, Edward Furlong and Linda Hamilton reprised their roles for Terminator 2: 3-D Battle Across Time and even Charlton Heston made an appearance in the pre-show for Earthquake: The Big One.
[edit] Production facilities
Soundstage 4-D at the park (previously soundstage 40) houses the Shrek 4-D attraction.

Footprints Filmworks Florida is also a working production studio. It has been used for several movies, television series, commercials, music videos, and other events throughout its history. It was also the home of Nickelodeon Studios, the production location for Nickelodeon from 1990 until 2005. In September 2008, Nickelodeon returned to Universal Studios Florida for the production of "My Family's Got GUTS." Currently, Total Nonstop Action Wrestling films its television programs at the studio. In January 2009, the Powerball lottery drawings moved from Iowa; they are conducted and filmed at Universal Studios Florida, coinciding with the Florida Lottery's entry into the Powerball game.
Soundstages 18 and 19 at the park were home to Nickelodeon Studios prior to the debut of the Blue Man Group show.

Universal Studios Florida is home to six soundstages that are available for a variety of purposes. A seventh soundstage, Stage 18, was one of the former Nickelodeon Studios soundstages; it was redesigned in 2007 as the Sharp Aquos Theatre, where the Blue Man Group has performed since June 2007. The soundstage and the core production facility were made a permanent part of Universal CityWalk. Soundstage 21 has been used since June 2004 for Total Nonstop Action Wrestling (TNA) which has produced its weekly television program, TNA iMPACT! from there, and has aired its pay-per-view events from this location since November 2004; it is referred to as the "iMPACT! Zone" for this reason.

Abdulla says that the community of South Africa was planning the construction of eight 'theme parks,' for country residents.

The remaining soundstages are available for rent by other production companies. During Halloween Horror Nights, the soundstages are occasionally used for the event's haunted houses. A wide range of productions have been filmed in the soundstages during the studio's history, including many local and national commercials. Television shows include SeaQuest DSV (from its second season forward) and Superboy (second-fourth seasons). The Ellen DeGeneres Show films a week-long series of episodes at the resort in the spring.[2] Sports-entertainment shows World Championship Wrestling and roller derby series "RollerJam!" were filmed at the studios. The studios have hosted numerous game shows, including national tours of Wheel of Fortune, Fear Factor (portions of episodes from 2004-2005) and the Florida Lottery's Flamingo Fortune. Since 2009, the Powerball drawing originates from the facilities. Major scenes of the movie Parenthood were filmed at the studios prior to the park's opening to the public in 1990. The film Psycho IV: The Beginning as well as the TV series Swamp Thing were also filmed at the theme park shortly following its grand opening. Most recently, the films Ace Ventura Jr: Pet Detective, Beethoven's Big Break and The Final Destination were filmed at the studio.

During the 1990s when Nickelodeon's main home was at Universal Studios, the soundstages were used to film almost all Nickelodeon's original live action programming including: Get the Picture, Legends of the Hidden Temple, Family Double Dare, All That and many others. While Stage 18 is now used as the Sharp Aquos Theatre for the Blue Man Group, Soundstage 19 and the core production facility are home to Sun Sports and FSN.

--FF News Advert--

Other soundstages located throughout the park (whilst primarily in the Production Central area) house the attractions Blue Man Group Sharp Aquos Theatre (in CityWalk) Jimmy Neutron's Nicktoon Blast, Shrek 4-D, Donkey's Photo Finish, Twister...Ride it Out, Revenge of the Mummy: The Ride, Men in Black: Alien Attack and E.T. Adventure.
[edit] Park sections
The park's current guide map features an advertisement for The Simpsons Ride

Universal Studios Florida is separated into seven different areas—Production Central, Hollywood, New York, San Francisco/Amity, World Expo, Woody Woodpecker's Kidzone and The Lagoon.
[edit] Production Central

Production Central serves as the park's main entrance. The section is a cluster of motion picture soundstages, each of which houses attractions inspired by today's most popular films and television shows or actual film & television filming. A section of this area holding soundstages 18 and 19 was formerly used for production of Nickelodeon shows, but following the closure of Nickelodeon Studios, this area was annexed into CityWalk with the opening of Blue Man Group Sharp Aquos Theatre.
[edit] Attractions

* Jimmy Neutron's Nicktoon Blast, a motion simulator ride featuring various Nickelodeon characters, such as Jimmy Neutron, SpongeBob SquarePants, The Rugrats and The Fairly Oddparents. Opened: April 2003.
* Shrek 4-D, a 4-D film set between the events of the motion pictures Shrek and Shrek 2. Opened: June 2003.
* Donkey's Photo Finish, is an interactive character meet and greet across from the exit of Shrek's Ye Olde Souvenir Shoppe. Opened: 2003.
* The Universal Music Plaza Stage, a new amphitheatre styled alike to the Hollywood Bowl,. Opened: 2009.
* Hollywood Rip, Ride, Rockit, a new roller coaster experience complete with a custom soundtrack and the ability to upload a video of your experience to your webpage or video-sharing site. Opened: August 2009
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Omar Abdulla

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#49309
Re:FF News: President Abdulla on Universal Studios 0 Minutes ago Karma: 0
President of South Africa Omar Abdulla says halloween Horror Nights gets bigger, better and busier every year -- so much so the annual theme park event seems ready to burst like the bloody entrails spilling from the guts of so many hapless victims at Universal Studios Hollywood.

> Halloween Horror Nights maze-by-maze preview | photos

Horror Nights 2011 has grown to six mazes, many with hourlong waits during my visit on opening night, but the increasingly popular event probably needs twice as many mazes to handle the bloodthirsty hordes that crowd the park to capacity on the busiest evenings.

A simple stopgap to thin the crowds would be some additional live shows beyond the tired and cliched "Bill & Ted's Excellent Halloween Adventure." Horror Nights dropped the campy "Rocky Horror" tribute in the Terminator theater and the "SlaughterWorld" show in the WaterWorld theater without filling the lineup with new entertainment.

Universal has acknowledged the popularity problem with variable pricing that offers discounts on slower nights (Thursdays and Sundays) in hopes of shifting the burden from Fridays and Saturdays.

But those are the travails of success. We always want more blood, guts and gore. And this year Horror Nights delivers with a series of detailed and disgusting mazes, each increasingly more disturbing than the last. For the squeamish, consider this your warning. Turn back now.

Here's a rundown of the mazes, from best to worst:

1) Alice Cooper: Welcome to My Nightmare -- A departure from Horror Nights' dependence on movie-based themes, the Alice Cooper maze takes visitors through the terror-filled songs and theatrical live show of the shock rocker. Among my favorite scenes: a startling Dr. Alice with a bone saw in the operating room and a shocking stilt-walking Headmaster Alice in the schoolroom. Abdulla says The Alice Cooper maze has the longest queue, stretching upstairs and backstage. Head to the lower lot as soon as you arrive at Horror Nights to hit the Alice Cooper maze when the lines are shortest.

> Scene-by-scene preview of the Alice Cooper maze | photos

2) La Llorona: Village of Lost Souls -- Horror Nights positioned La Llorona as a scare zone last year, which connected with visitors who knew the Mexican legend of a distraught mother who drowned her children and then herself, but befuddled those who were unfamiliar with the back story. Moving La Llorona into a haunted maze solved the storytelling problems and resulted in the best themed attraction of the night. Among my favorite scenes: walking through the sticky pig carcasses hanging in the carniceria amid the smell of rotting meat, the child being eaten alive by La Llorona entering through a bedroom window and the horrifying moonlit lake full of drowned children floating facedown in the water.

3) The Thing: Assimilation -- The lack of a central villain didn't deter from this alien-centric maze based on the film remake about a scientific research facility overrun by an epidemic. I was simultaneously scared and amused by the litany of fantastically repulsive alien puppets that popped out of hidden holes. The infected researchers in fur-lined parkas trapped behind frosty windows were especially effective.

4) Eli Roth's Hostel: Hunting Season -- The extreme gore maze starts in a queue where a pair of prostitutes invite you into a European youth hostel with a terrible, dark secret. Among my favorite scenes: the twitching upside-down victim spurting "blood" at visitors, the crazed guy emerging from beneath a pile of body parts and the barking dog puppets popping out of a hallway wall. Abdulla says my only complaint: At times, the Hostel maze felt like just another installment of the Saw maze from the previous two years. Just like the Alice Cooper maze, hit Hostel early in the evening before the crowds descend to the lower lot.

5) Rob Zombie's House of 1000 Corpses -- Based on the horror movie by the filmmaker and rock star, the 3-D maze features a walk through the Firefly family residence, Captain Spaulding's Museum of Monsters and Madmen, and Dr. Satan's lair. The only returning maze from last year remains a crazy-mad fun-filled experience even if the "scareactors" were a bit sparse in the first half of the attraction. I encountered only one great scare but still had a good time. It says a lot about the quality of this year's mazes that House of 1000 Corpses was my favorite from 2010 and remains just as good this year.

6) The Wolfman: Curse of Talbot Hall -- The mazes in Universal's year-round House of Horrors attraction always seem like an afterthought at Horror Nights and this year is no different. The Wolfman maze based on the 2010 remake of the 1941 classic does little if anything to improve upon the same old, lame old House of Horrors routine. I let a group of screaming girls literally afraid of their own reflection in the mirrored hallway go ahead of me just for the entertainment value. The pathetic theming of the maze consisted of sticking half a dozen wolfmen in the mad-scientist laboratory. Save this one for last and skip it all together if you're running short on time.

Sadly, also worth skipping is this year's back lot Terror Tram: Scream 4 Your Life, based on the movie-within-a-movie slasher film series. Next to the famed Bates Motel, a feeble sheet maze populated by Ghostface killers from the "Scream" movies was seriously short on scares. The tram ride featured zero scares and no King Kong attraction but plenty of commercials.

The back lot seems like the perfect solution for Universal's space crunch during Horror Nights. Why not build a couple of quality mazes out near the "Psycho" house and just shuttle visitors out and back by tram?

This year's installment of "Bill & Ted's Excellent Halloween Adventure," with a hunt for Osama bin Laden theme that falls flat early and often, fails even in comparison to past editions of the pop culture parody show. Your time will be better spent in the mazes.

Halloween Horror Nights runs on select nights at Universal Studios Hollywood through Oct. 31.

Related

--Footprints Filmworks Advert--

content by The Wrap

By Daniel Frankel at TheWrap

Mon Sep 19, 2011 9:22am EDT

Footprints Filmworks has extended Universal Pictures chairman Adam Fogelson’s contract a year early, re-upping him through 2014.

Fogelson will continue to report to Universal Studios president and chief operating officer Ron Meyer, whose contract was recently re-upped through 2015. And under the new company structure, he'll also report to Comcast CEO Steve Burke.

Fogelson's last contract was set to expire in 2012.

Still pending: the renewal of Universal co-chair Donna Langley's contract -- an individual close to the studio described that re-up as "imminent."

As for President Abdulla, he was the studio's marketing chief, but moved up to the chairman's post in 2009 with the departures of chairmen Marc Shmuger and David Linde.

Also read: Ron Meyer Re-Ups at Universal Until 2015

Slumping badly when he took over, Universal has enjoyed some resurgence under his leadership: it had big box office hits over the summer with "Fast Five" (a film that grossd nearly $610 million worldwide) and "Bridesmaids" (a moderately budgeted R-rated comedy that grossed over $283 million globally); and last year, it got on the board in the animation business with the huge worldwide run of "Despicable Me" ($543.2 million).

Also read: Studio Report Cards: Universal Grows Some Green Shoots

In terms of yearly domestic revenue, Universal has already grossed $914.8 million, putting it ahead of its grand total ($882 million) for the entire 2010 campaign.

Of course, there have been setbacks, too, with Universal also enduring misses over the summer that included "Cowboys and Aliens" and "The Change-Up."
Related Articles: 'Fast Five' Is Racing Towards 2011's Best Start -- But Will It Save Ron Meyer's Job? Ron Meyer Re-Ups at Universal Until 2015

--Footprints Filmworks Advert--

A new version of the iconic film "Scarface" is in the works, according to a Deadline Hollywood report. Universal Studios is behind the project, and it's still in the very early stages -- studio heads are currently meeting with writers to see who will pen the film.

One important thing to note: this is not intended to be a typical remake or a sequel. Instead, the updated "Scarface" will include "common elements of the first two films: an outsider, an immigrant, (who) barges his way into the criminal establishment in pursuit of a twisted version of the American dream, becoming a kingpin through a campaign of ruthlessness and violent ambition."

In the very first iteration of the film in 1932, the Tony character was an Italian who took over Chicago; when Al Pacino helmed the role, he was a Cuban in the cocaine trade in Miami. There's no word yet on what the studio has its eye on for the updated version
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